Let’s Have A Safety Record to Crow About
Leonard Cusden, dated to the 1950s. Workplace safety was promoted as both an individual responsibility and a collective benefit.
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Vintage safety posters
The Royal Society for the Prevention of Accidents offers high quality prints from its unique collection of safety posters, available in a range of sizes and frames and delivered to your door all around the world.
Browse products & sizingRoSPA is a registered charity at the heart of accident prevention in the UK and around the world, promoting safety at work, at leisure, on the road, in the home and through safety education. The origins of the society go back almost 100 years to WW1.
Poster propaganda has been at the forefront of RoSPA’s efforts in promoting safety. The collection gathers that artwork — road safety, workplace safety, child safety and public safety — as prints, framed prints and canvas.
Bestsellers
Leonard Cusden, dated to the 1950s. Workplace safety was promoted as both an individual responsibility and a collective benefit.
Print optionsOne of 24 images in the road safety category, alongside titles such as “I’ve Just Passed My Cycling Test” and “Journey’s End”.
Print optionsFrom a public safety category of 12 images covering fire safety, swimming safety, holiday safety and general accident prevention.
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Tufty
The Tufty category features posters starring Tufty the Rabbit, the beloved character from the Tufty Club safety campaigns for children. The imagery focuses on child safety and education, with messages for families at home, on the road and at play.
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Featured artists
The collection includes work by F Blake, Leonard Cusden, Roland Davies, Gus, Ken Langstaff and others. Each poster carries its own message and period character, from industrial hazards to road and public safety.
About the collectionProducts
Art prints are offered on a choice of paper types, including Satin Prints, in small, medium, large and extra-large sizes. Framed prints use solid-wood mouldings and acid-free white-core mount-board to prevent staining. Canvas prints are available in stretched and framed formats.
King & McGaw is appointed by RoSPA to provide the print-on-demand service. Orders containing only unframed prints or rolled canvas are dispatched within 3 working days; orders containing framed prints, stretched canvas or framed canvas panels are shipped within 10 working days. The site ships internationally from the UK.
The vintage safety poster is a curious kind of artwork. It was made to be read quickly, understood at a glance, and then obeyed, yet many of the best examples carry a wit and warmth that outlived their original purpose. RoSPA's collection gathers these images together, preserving a visual record of how generations of people were encouraged to take care at work, on the road, at home, and at play. Reproduced as high quality art prints, framed prints, and canvases, they move from noticeboard to living room wall, where their bold shapes and cheerful warnings can be enjoyed simply as striking design.
What makes the collection so appealing is its range. Some posters lean on bold typography and flat colour, others on characterful illustration, and a few on a gentle humour that softens the message. The familiar figures and motifs that recur across the archive give the whole body of work a family resemblance, so prints from different eras can sit comfortably together on the same wall. Browse the gallery and you will find images that feel nostalgic and modern at once, equally at home in a kitchen, a studio, an office, or a child's bedroom.
Part of the pleasure of collecting these prints is the sense of history behind them. The society that produced them has spent decades at the heart of accident prevention, promoting safety in the workplace, on the road, in the home, and through education. The posters were once practical tools, printed to nudge behaviour and reduce harm, and that purpose gives them a quiet seriousness beneath the playful surface. Hanging one on your wall is a small nod to that continuing work, and to the idea that looking out for one another is worth celebrating in design.
Choosing a print is mostly a matter of mood and space. Smaller formats suit a hallway or a quiet corner, while larger pieces can anchor a room and let the artwork's colour do the talking. Framed prints arrive ready to hang, offering a finished look with minimal fuss, while unframed prints give you the freedom to choose your own frame and match an existing scheme. Canvas options add texture and a softer edge, lending a warmer feel to a print that might otherwise read as crisp and graphic.
Sizing deserves a little thought before you commit. It helps to measure the wall honestly, allowing generous breathing room around the image rather than filling every available inch. A print that is given space reads as calmer and more considered, and the airy margins echo the way these posters were originally designed to be seen. If you are building a group, mixing sizes can create a pleasing rhythm, with one larger piece carrying the eye and smaller companions supporting it without competing for attention.
Colour is the other great pleasure here. The archive's palette tends toward confident, saturated tones that brighten a room without overwhelming it, and many of the images pair warm reds and oranges with cooler blues and greens in a way that feels unexpectedly contemporary. Against a cream or off-white wall, these prints feel fresh and clean; against a darker backdrop, the same images take on a richer, more graphic quality. Either way, they reward a little experimentation and rarely look out of place.
These posters also make thoughtful gifts, partly because they carry a story and partly because they suit so many people. Someone who works in safety will recognise the imagery immediately, while others may simply enjoy the charm of the illustration and the glimpse of social history it offers. A print chosen for a friend's kitchen, a colleague's office, or a child's room becomes a small, personal piece of design with a message tucked inside it, one that quietly says look after yourself and the people around you.
Delivery is arranged to reach customers around the world, so a print can travel from the collection to a wall far from where it was first conceived. Once it arrives, a little care keeps it looking its best: hang prints away from strong direct sunlight, handle them by the edges, and let framed pieces settle before adjusting their position. Treated kindly, a good print becomes part of the furniture of a home, quietly familiar, and easy to live with for years.
| Destination | Framed | Unframed |
|---|---|---|
| UK | 15 Dec | 16 Dec |
| Europe | 11 Dec | 8 Dec |
| Rest of World | 8 Dec | 27 Nov |